Fresh Voices: Composition at Cal Poly
Volume 13, Issue 1 (2020) Fresh Voices: Composition at Cal Poly 2019-2020
Writing with Images
Lampshade Project
Jenny Ashley
Exploring Significant Moments
How to Handshake
Michelle Waal
So, Where Are You From?
Emma Knisley
“Sumac Kawsay”: A New Perspective
Keilana Sugano
Finding My Voice
Holly Masterson
The World Is My Nose
Grace Kitayama
Dancing on My Coffin
Andrew Baker
Becoming the Good
Lindsey Shepard
Profiling a Person, Place, Event, or Trend
Pigeon on the Boardwalk
Alexander Watkins
A Linnteresting Professor
Ryan Takeshita
Sojourn Grace Collective: A Church, and Yet
Abigail Wilkins
Living in Eden
Alex Cushing
Understanding the Abandoned: An Educator's Immersive Approach
Mackenzie Croxdale
A Farmer, A WAVE, and a Navy Wife
Holly Masterson
Journey to the West
May Thiri Kyaw
The Ultimate Experience
John Lazo
Analyzing Rhetorically
Constructed Perspective
Laura Nelson
Catching Fire
Alex Cushing
Blue Brides
Meha Sharma
Blaming the Victim Is a Crime
Stephanie Botto
A Snapshot of Living in the Syrian Civil War
Joshua Schipper
Engaging in Public Rhetoric and Argumentation
Bodily Movement
Laura Nelson
The OG Feminist: Queen Elizabeth I
Leanna McMahon
Blinded by the Bubble
Jaxon Silva
Voter Registration
Kayla Cheyno
Comfort v. Necessity
Bryanna Gay
Cal Poly Needs More Composting
Sarah Bates
Eyes for the Dark
Stephanie Mullen
Menstruation Nation: Let’s Free the Tampons
Holly Masterson
Reasoning, Argumentation, and Writing
The Stacks
Alexander Watkins
Not in the Loop
Bo Cole
Putting an End to Single-Use Plastics on Campus
Gillian Ippoliti
Plastics Are Out: Reusables Are In
Anna Wannenwetsch
A Plastic Spoonful of Sugar
Catherine Zadorozhna
We Need Them. Period.
Bella Amador
No More 7 a.m. Classes
Juliana Brozio
Solitary Confinement in the U.S. Prison System
Fiona Gleeson
The Death of Marilyn Monroe
Kaylee Earnshaw
