Fresh Voices: Composition at Cal Poly
Volume 12, Issue 1 (2019) Fresh Voices: Composition at Cal Poly 2018-2019
Writing with Images
We the People
Shepard Fairey
Women's March
San Luis Obispo
Exploring Significant Moments
Chrysanthemum
Chelsea Stewart
A Day at the Tea Shop with My Grandpa
Nathan Duong
Get off the Board
Amanda Shontere
Stepping Up to the Plate
Landon Lujan
Listening to the Light
Nicholas Trautman
Man of the House
Annelise Jarrett
Smoothie Man
Logan Christensen
Lab Report
Colin Masterson
Dear My Brother’s High School Bullies
Dennis "DJ" Houston
Disciplinary Action
Lois Good
Rolling with the Punches
Olivia Peterson
Profiling a Person, Place, Event, or Trend
Space Junkie
Jessie Boucher
Radioheads
Biren Rama
Rockin’ through the Ages
Tanner Coolidge
Los Sauces: A People and Place Defined by Time
Marissa Zamudio
The Wrestling Room: Home for Community
Justin Cueno
Analyzing Rhetorically
The State of California
Brenda Helmbrecht
Power to the People
Lauren Cosgrove
The Infectious Allure of Frank Underwood
Brandon Normand
Buying Happiness
Julia Kryzan
Rudis: A Way of Persuasion
Jared Larsen
Race and the Evaluation of NFL Ready Quarterbacks
Thomas McTygue
Engaging in Public Rhetoric and Argumentation
A New Generation of Athletes
Gabriel Valverde-Turner
Unequal Pay in the World of Soccer
Alejandro Juarez Solorio
Common Core Should Not Be Common
Courtney Manhart
Undocumented and Unafraid
Claudia
Acing Representation
Madeleine Mignola
Hopefully Plan A Works—There’s No Plan B
Kristen Benz
Reasoning, Argumentation, and Writing
Irish Hills Hiking
Brenda Helmbrecht
Racial Discrimination and Its Effects on Health and Maternal Mortality
Vanessa Newsome-Slade
Cord Blood: The Cryptic Cure to Childhood Conditions
Caitlin English
Too Broke to Pay, Too Rich for Help
Allison Amaya
The Penguin and the Pauper: An Analysis of the Nature of Independent Presses in Comparison to Big House Publishers
Bryce E. A. Hustead
Reddi-Wip Is Sex in Your Mouth
Caitlin English
Video Games = Violence?
Rachel Lasker
A Perfectly Composed Bite of Critique
Ethan Hundertmark