College of Liberal Arts
Modern Languages and Literatures Department
Karen Muñoz Christian
This paper includes a detailed analysis of the theater of Federico García Lorca. Special attention is paid to the gender implications and sexual oppression noted in his trilogy plays Bodas de sangre, Yerma, and La casa de Bernarda Alba.
Comparative Literature Commons, Dramatic Literature, Criticism and Theory Commons, Latin American Languages and Societies Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Other Feminist, Gender, and Sexuality Studies Commons