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Submissions from 2014

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Results from the 2014 AP French Language and Culture Exam, Brian G. Kennelly

Submissions from 2013

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Making Connections: Applying the AP French Langauage and Culture Scoring Guidelines to Student Samples, Brian Kennelly

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Improving Student Performance on the Cultural Comparison, Brian G. Kennelly

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Improving Student Performance on the Persuasive Essay, Brian G. Kennelly

Submissions from 2012

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AP French: Unpacking The Scoring Guidelines For Interpersonal Tasks, Davara Potel and Brian G. Kennelly

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Designing Thematic Instruction with Authentic Resources: Alienation and Assimilation, Davara Potel and Brian G. Kennelly

Submissions from 2011

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AP French Language and Culture: Strategizing for Success, Brian G. Kennelly

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Designing Thematic Instruction with Authentic Resources: Science and Technology, Brian G. Kennelly

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Hello and Goodbye?, Brian G. Kennelly

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Results from the 2011 AP® French Language Exam Administration, Brian G. Kennelly

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Teaching and Assessing Presentational Communication in AP® French Language and Culture, Brian G. Kennelly

Submissions from 2010

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AP® French Language, Brian G. Kennelly

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Designing Thematic Instruction with Authentic Resources: Science and Technology, Brian G. Kennelly

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Mothers and/as Monsters in Tony Duvert's Quand mourut Jonathan, Brian G. Kennelly

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‘young boys, no trouble, very safe’?: Frédéric Mitterrand’s La Mauvaise vie as Text and Pretext, Brian G. Kennelly

Submissions from 2009

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La Libertad De Conciencia En Miguel De Unamuno, Kevin Fagan

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After the Rehearsal: “Academic Freedom?” at the MLA and Beyond, Brian G. Kennelly

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Baladodiffusion and Beyond: Using Radio France Inside and Outside the Classroom, Brian G. Kennelly

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Pedophile as Paragon? Or (Mis)Representing Motherhood in Tony Duvert's Quand mourut Jonathan, Brian G. Kennelly

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Designing Instruction for the AP French Language and Culture Course , Brian G. Kennelly, Davara Potel, and James Monk

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Agresividad verbal en la posesía de los años 60: De Sardio a Techo de Ballena, William Martínez

Submissions from 2008

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Swart Poes as Black Honey? Miscegenation and (Mis)Representation in Zake Mda's The Madonna of Excelsior, Brian G. Kennelly

Submissions from 2007

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Sarmiento y Unamuno: la pluma vence a la espada, Kevin T. Fagan

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Reading Differently, Rereading for Difference in Versions of Rimbaud's "Mouvement", Brian G. Kennelly

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Critical Review: Cometas en el Cielo, Traducción de The Kite Runner, William Martínez

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El Impacto de "Viernes" en la Poesía Venezolana, William Martínez

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Paraíso Perdido, Paraíso Inventado. La Idealización Del Paraíso en la Literatura Latinoamericana: Un Comentario a Manera de Observaciones, William Martínez

Submissions from 2006

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La fe de Don Quijote en la perspectiva de Miguel de Unamuno, Kevin Fagan

Submissions from 2005

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Beauty in Bastardy? Breytenbach on Afrikaans and the Afrikaners, Brian G. Kennelly

Submissions from 2004

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Cinco destinos de ensueño, Kevin Fagan

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The Teenage Dissent of Newman and Unamuno: Conscience as a Safeguard Against Coercive Manipulation, Kevin T. Fagan

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Au-delà de leurs doléances, Au nom de l’In-nocence: Renaud Camus and the Political, Brian G. Kennelly

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Rewriting, Rereading Récidive, Brian G. Kennelly

Submissions from 2003

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Freedom of Conscience in John H. Newman and Miguel de Unamuno, Kevin T. Fagan

Submissions from 2002

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Truth and Consequences: Renaud Camus and the Personal, Brian G. Kennelly

Submissions from 2001

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Un viaje a todo vapor, Kevin Fagan

Submissions from 2000

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Caught in/On the Web: To Publish Without Perishing in the Digital Age, Brian G. Kennelly

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Of Art and Epithets: Approaching the Poetry of Olivier Larronde Through His "Alberto Giacometti Dégaine", Brian G. Kennelly

Submissions from 1999

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Hacia una Estética del Análisis de Códigos Poéticos, William Martínez

Submissions from 1998

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A Toast to Conscience: Freedom of Conscience in John Henry Newman, Kevin T. Fagan

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Less or More Black and White? Reassessing Genet's Les nègres in Light of Both Published Versions, Brian G. Kennelly

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Terrorismo Poético: Juan Calzadilla y Caupolicán Ovalles, William Martínez

Submissions from 1996

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Dissolving the Divine: The Tragedy of Identity in Genet's "Elle", Brian G. Kennelly

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The Unknown Role of Madame in Genet's Les Bonnes, Brian G. Kennelly