Submissions from 2011
AP French Language and Culture: Strategizing for Success, Brian G. Kennelly
Designing Thematic Instruction with Authentic Resources: Science and Technology, Brian G. Kennelly
Hello and Goodbye?, Brian G. Kennelly
Results from the 2011 AP® French Language Exam Administration, Brian G. Kennelly
Teaching and Assessing Presentational Communication in AP® French Language and Culture, Brian G. Kennelly
Submissions from 2010
AP® French Language, Brian G. Kennelly
Designing Thematic Instruction with Authentic Resources: Science and Technology, Brian G. Kennelly
Mothers and/as Monsters in Tony Duvert's Quand mourut Jonathan, Brian G. Kennelly
‘young boys, no trouble, very safe’?: Frédéric Mitterrand’s La Mauvaise vie as Text and Pretext, Brian G. Kennelly
Submissions from 2009
La Libertad De Conciencia En Miguel De Unamuno, Kevin Fagan
After the Rehearsal: “Academic Freedom?” at the MLA and Beyond, Brian G. Kennelly
Baladodiffusion and Beyond: Using Radio France Inside and Outside the Classroom, Brian G. Kennelly
Pedophile as Paragon? Or (Mis)Representing Motherhood in Tony Duvert's Quand mourut Jonathan, Brian G. Kennelly
Designing Instruction for the AP French Language and Culture Course , Brian G. Kennelly, Davara Potel, and James Monk
Agresividad verbal en la posesía de los años 60: De Sardio a Techo de Ballena, William Martínez
Submissions from 2008
Swart Poes as Black Honey? Miscegenation and (Mis)Representation in Zake Mda's The Madonna of Excelsior, Brian G. Kennelly
Submissions from 2007
Sarmiento y Unamuno: la pluma vence a la espada, Kevin T. Fagan
Reading Differently, Rereading for Difference in Versions of Rimbaud's "Mouvement", Brian G. Kennelly
Critical Review: Cometas en el Cielo, Traducción de The Kite Runner, William Martínez
El Impacto de "Viernes" en la Poesía Venezolana, William Martínez
Paraíso Perdido, Paraíso Inventado. La Idealización Del Paraíso en la Literatura Latinoamericana: Un Comentario a Manera de Observaciones, William Martínez
Submissions from 2006
La fe de Don Quijote en la perspectiva de Miguel de Unamuno, Kevin Fagan
Submissions from 2005
Beauty in Bastardy? Breytenbach on Afrikaans and the Afrikaners, Brian G. Kennelly
Submissions from 2004
Cinco destinos de ensueño, Kevin Fagan
The Teenage Dissent of Newman and Unamuno: Conscience as a Safeguard Against Coercive Manipulation, Kevin T. Fagan
Au-delà de leurs doléances, Au nom de l’In-nocence: Renaud Camus and the Political, Brian G. Kennelly
Rewriting, Rereading Récidive, Brian G. Kennelly
Submissions from 2003
Freedom of Conscience in John H. Newman and Miguel de Unamuno, Kevin T. Fagan
Submissions from 2002
Truth and Consequences: Renaud Camus and the Personal, Brian G. Kennelly
Submissions from 2001
Un viaje a todo vapor, Kevin Fagan
Submissions from 2000
Caught in/On the Web: To Publish Without Perishing in the Digital Age, Brian G. Kennelly
Of Art and Epithets: Approaching the Poetry of Olivier Larronde Through His "Alberto Giacometti Dégaine", Brian G. Kennelly
Submissions from 1999
Hacia una Estética del Análisis de Códigos Poéticos, William Martínez
Submissions from 1998
A Toast to Conscience: Freedom of Conscience in John Henry Newman, Kevin T. Fagan
Less or More Black and White? Reassessing Genet's Les nègres in Light of Both Published Versions, Brian G. Kennelly
Terrorismo Poético: Juan Calzadilla y Caupolicán Ovalles, William Martínez
Submissions from 1996
Dissolving the Divine: The Tragedy of Identity in Genet's "Elle", Brian G. Kennelly
The Unknown Role of Madame in Genet's Les Bonnes, Brian G. Kennelly
