Submissions from 2007
Reading Differently, Rereading for Difference in Versions of Rimbaud's "Mouvement", Brian G. Kennelly
El Impacto de "Viernes" en la Poesía Venezolana, William Martínez
Critical Review: Cometas en el Cielo, Traducción de The Kite Runner, William Martínez
Paraíso Perdido, Paraíso Inventado. La Idealización Del Paraíso en la Literatura Latinoamericana: Un Comentario a Manera de Observaciones, William Martínez
Submissions from 2005
Beauty in Bastardy? Breytenbach on Afrikaans and the Afrikaners, Brian G. Kennelly
Submissions from 2004
The Teenage Dissent of Newman and Unamuno: Conscience as a Safeguard Against Coercive Manipulation, Kevin T. Fagan
Rewriting, Rereading Récidive, Brian G. Kennelly
Submissions from 2002
Truth and Consequences: Renaud Camus and the Personal, Brian G. Kennelly
Submissions from 2000
Caught in/On the Web: To Publish Without Perishing in the Digital Age, Brian G. Kennelly
Of Art and Epithets: Approaching the Poetry of Olivier Larronde Through His "Alberto Giacometti Dégaine", Brian G. Kennelly
Submissions from 1999
Hacia una Estética del Análisis de Códigos Poéticos, William Martínez
Submissions from 1998
A Toast to Conscience: Freedom of Conscience in John Henry Newman, Kevin T. Fagan
Less or More Black and White? Reassuring Genet's Les nègres in Light of Both Published Versions, Brian G. Kennelly
Terrorismo Poético: Juan Calzadilla y Caupolicán Ovalles, William Martínez
Submissions from 1996
Dissolving the Divine: The Tragedy of Identity in Genet's "Elle", Brian G. Kennelly
The Unknown Role of Madame in Genet's Les Bonnes, Brian G. Kennelly
