Submissions from 2013
Forming University and Teacher Partnerships in an Effort to Reframe and Rethink Mentoring Programs, Megan Guise
Submissions from 2012
Exploring the Significance of Social Class Identity Performance in the English Classroom: A Case Study Analysis of a Literature Circle Discussion, Amanda Haertling Thein, Megan Guise, and DeAnn Long Sloan
Submissions from 2011
Review of Mikko Tuhkanen, The American Optic: Psychoanalysis, Critical Race Theory, and Richard Wright, J. Bradford Campbell
Problematizing Literature Circles as Forums for Discussion of Multicultural and Political Texts, Amanda Haertling Thein, Megan Guise, and DeAnn Long Sloan
Black Magic and White Guilt: Voodoo in Angel Heart, Douglas Keesey
Intertwinings of Death and Desire in Michele Soavi’s Dellamorte Dellamore, Douglas Keesey
Review of Shutter Island, directed by Martin Scorsese, Douglas Keesey
Review of Super 8, directed by J.J. Abrams, Douglas Keesey
Review of The Killer Inside Me, directed by Michael Winterbottom, Douglas Keesey
The Poetics of James Dickey: The Early Motion, Douglas Keesey
“Foryet it thou,and so wol I”: Absolving Memory in Confessio Amantis, Paul D. Stegner
Submissions from 2010
The Schizophrenic Solution: Dialectics of Neurosis and Anti-psychiatric Animus in Ralph Ellison’s Invisible Man, J. Bradford Campbell
Neither a Wife nor a Whore: Deconstructing Feminine Icons in Catherine Breillat's Une vieille maîtresse, Douglas Keesey
Review of Inception, directed by Christopher Nolan, Douglas Keesey
Split identification: Representations of Rape in Gaspar Noé’s Irréversible and Catherine Breillat’s A masoeur!/Fat Girl, Douglas Keesey
Understanding Genre through the Lens of Advocacy: The Rhetorical Work of the Victim Impact Statement, Amy D. Propen and Mary Lay Schuster
Degrees of Emotion: Judicial Responses to Victim Impact Statements, Mary Lay Schuster and Amy Propen
Submissions from 2009
The BUSTin' and Bitchin' Ethe of Third-Wave Zines, Brenda M. Helmbrecht and Meredith A. Love
Psychoanalysis of a Sequel: The Disinterment of Pet Sematary Two, Douglas Keesey
Submissions from 2008
Stable Identity: Horses, Inversion Theory, and The Well of Loneliness, Mary A. Armstrong
Making Academic Work Advocacy Work: Technologies of Power in the Public Arena, Amy Propen and Mary Lay Schuster
Submissions from 2007
The making of ‘American’: race and nation in neurasthenic discourse, Brad Campbell
Giving Grades, Taking Tolls: Assessing the Impact of Evaluation on Developing Writers, Brenda Helmbrecht
Graduate Students Hearing Voices: (Mis)Recognition and (Re)Definition of the jWPA Identity, Brenda M. Helmbrecht and Connie Kendall
Teaching the Conflicts: (Re)Engaging Students with Feminism in a Postfeminist World, Meredith A. Love and Brenda M. Helmbrecht
Visual Communication and the Map: How Maps as Visual Objects Convey Meaning in Specific Contexts, Amy Propen
Rewriting the Passing Novel: Danzy Senna's Caucasia, Kathryn Rummell
"Try what repentance can": Hamlet, Confession, and the Extraction of Interiority, Paul Dustin Stegner
Of þam him aweaxeð wynsum gefea”: The Voyeuristic Appeal of Christ III, Paul Dustin Stegner and Timothy D. Arner
Submissions from 2006
Review of Break, Blow, Burn, Kevin Clark
From Caricature to Character: The Intellectually Disabled in Dickens's Novels (Part 1), Paul Marchbanks
From Caricature to Character: The Intellectually Disabled in Dickens's Novels (Part 2), Paul Marchbanks
From Caricature to Character: The Intellectually Disabled in Dickens's Novels (Part 3), Paul Marchbanks
Jane Air: The Heroine as Caged Bird in Charlotte Brontë’s Jane Eyre and Alfred Hitchcock’s Rebecca, Paul Marchbanks
Critical GPS: Toward a New Politics of Location, Amy D. Propen
A Reconciled Maid: A Lover's Complaint and Confessional Practices in Early Modern England, Paul Dustin Stegner
Submissions from 2005
6 Miles Up, Kevin Clark
Poetic Modernism and the Oceanic Divide: Review on New British Poetry, Kevin Clark
Regs, Kevin Clark
Review of Mary E. Hocks and Michelle R. Kendrick, Eloquent Images: Word and Image in the Age of New Media, Laura J. Gurak and Amy Propen
Submissions from 2004
Cast-Mistresses: The Widow Figure in Oroonoko, Kristina Bross and Kathryn Rummell
The Grapes, Kevin Clark
The New Naturalism and the New Nature Poet: Ralph Black’s Lyric of Doubt, Kevin Clark
The Vigil of Astonishment, Kevin Clark
A Mediatic Pedagogy: Rhetoricizing Images Within Composition Curriculum, Brenda M. Helmbrecht
Submissions from 2003
Review of Wired to the World, Chained to the Home: Telework in Daily Life by Penny Gurstein, Mary A. Armstrong
Review of Susan Wells, Out of the Dead House: Nineteenth-Century Women Physicians and the Writing of Medicine, Amy Propen and Mary M. Lay
Submissions from 2002
"Your Legs Must Be Singing Grand Opera": Masculinity, Masochism, and Stephen King's Misery, Douglas Keesey
Cal Poly Land: A Field Guide, Steven Marx
Toni Morrison's Beloved: Transforming the African Heroic Epic, Kathryn Rummell
Submissions from 2001
Highball, Princeton Station, Kevin Clark
Platter, Kevin Clark
They Kill for Love: Defining the Erotic Thriller as a Film Genre, Douglas Keesey
Greenaway's Books, Steven Marx
Submissions from 2000
Our Children Playing Catch in the Evening of No Warning, Kevin Clark
Appraising The Whole Motion: Dickey's Place in Literary History, Douglas Keesey
Book Review: Joanne M. Braxton. Maya Angelou's I Know Why the Caged Bird Sings. New York: Oxford University Press, 1999. 162p., Kathryn Rummell
Submissions from 1998
The Assignment, Kevin Clark
Weir(d) Australia: Picnic at Hanging Rock and The Last Wave, Douglas Keesey
Defoe and the Black Legend: The Spanish Stereotype in A New Voyage Round the World, Kathryn Rummell
Submissions from 1997
The Gift, Kevin Clark
The Steeple, Kevin Clark
Moses and Machiavellism, Steven Marx
Submissions from 1996
Margaret's Face, Kevin Clark
Progeny: Propero's Books, Genesis and The Tempest, Steven Marx
Submissions from 1995
Stature, Kevin Clark
The End, Kevin Clark
Twelve, Kevin Clark
Mason & Dixon on the Line: A Reception Study, Douglas Keesey
Holy War in Henry Fifth, Steven Marx
Submissions from 1994
The Price, Kevin Clark
"The Wife's Went Bazook" Comedic Feminism in the Poetry of Ruth Stone, Kevin Clark
Northrop Frye's Bible, Steven Marx
Submissions from 1993
James Dickey's To the White Sea: A Critical Controversy, Douglas Keesey
The Ideology of Detection in Pynchon and DeLillo, Douglas Keesey
A Problem in Rhetoric: Teaching Writing with Western Culture, Steven Marx
Submissions from 1992
Review: Learning to Read the Mother Tongue: On Sandra Gilbert's "Blood Pressure", Kevin Clark
Shakespeare's Pacifism, Steven Marx
The Prophet Disarmed: Milton and the Quakers, Steven Marx
Submissions from 1990
John Ashbery's "A Wave": Privileging the Symbol, Kevin Clark
Vineland in the Mainstream Press: A Reception Study, Pynchon Notes, Douglas Keesey
Submissions from 1989
The Politics of Doubling in "Mortality and Mercy in Vienna", Douglas Keesey
Beyond Hibernation: Ralph Ellison's 1982 Version of Invisible Man, Steven Marx
Submissions from 1988
"A Flaw Not Only In Him": Rereading Thomas Pynchon, Douglas Keesey
Facing Up to the Reading Dilemma: A Review and Critical Overview of Pynchon Studies, Douglas Keesey
Submissions from 1986
Nature and the Supernatural: Pynchon's Ecological Ghost Stories, Douglas Keesey
Submissions from 1985
So Much Life with (So to Speak) So Little Living: The Literary Side of the James-Wells Debate, Douglas Keesey
Submissions from 1984
Granting the Wolf, Kevin Clark
Small Fires, Kevin Clark
The Ex-Priest, Kevin Clark
Submissions from 1982
Stock and Root, Kevin Clark
Submissions from 1981
Autumn, 1830. Her Letter to Dead, Kevin Clark
Clarence King Names Mt. Tyndall, Kevin Clark
In Your Backyard, Kevin Clark
Separation, Kevin Clark
The Walnut Tree, Kevin Clark
Submissions from 1980
Death Comes for The Old Cowboy, Kevin Clark
Death Comes for The Old Runner, Kevin Clark
Widow Under a New Moon, Kevin Clark
