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Submissions from 2013

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Forming University and Teacher Partnerships in an Effort to Reframe and Rethink Mentoring Programs, Megan Guise

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Beatnik Buddhism in Jack Kerouac's The Dharma Bums, Steven Marx

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Genes in Genesis: Evolutionary Psychology and the Bible as Literature, Steven Marx

Submissions from 2012

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Exploring the Significance of Social Class Identity Performance in the English Classroom: A Case Study Analysis of a Literature Circle Discussion, Amanda Haertling Thein, Megan Guise, and DeAnn Long Sloan

Submissions from 2011

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Review of Mikko Tuhkanen, The American Optic: Psychoanalysis, Critical Race Theory, and Richard Wright, J. Bradford Campbell

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Problematizing Literature Circles as Forums for Discussion of Multicultural and Political Texts, Amanda Haertling Thein, Megan Guise, and DeAnn Long Sloan

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Black Magic and White Guilt: Voodoo in Angel Heart, Douglas Keesey

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Intertwinings of Death and Desire in Michele Soavi’s Dellamorte Dellamore, Douglas Keesey

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Review of Shutter Island, directed by Martin Scorsese, Douglas Keesey

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Review of Super 8, directed by J.J. Abrams, Douglas Keesey

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Review of The Killer Inside Me, directed by Michael Winterbottom, Douglas Keesey

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The Poetics of James Dickey: The Early Motion, Douglas Keesey

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“Foryet it thou,and so wol I”: Absolving Memory in Confessio Amantis, Paul D. Stegner

Submissions from 2010

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The Schizophrenic Solution: Dialectics of Neurosis and Anti-psychiatric Animus in Ralph Ellison’s Invisible Man, J. Bradford Campbell

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Neither a Wife nor a Whore: Deconstructing Feminine Icons in Catherine Breillat's Une vieille maîtresse, Douglas Keesey

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Review of Inception, directed by Christopher Nolan, Douglas Keesey

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Split identification: Representations of Rape in Gaspar Noé’s Irréversible and Catherine Breillat’s A masoeur!/Fat Girl, Douglas Keesey

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Understanding Genre through the Lens of Advocacy: The Rhetorical Work of the Victim Impact Statement, Amy D. Propen and Mary Lay Schuster

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Degrees of Emotion: Judicial Responses to Victim Impact Statements, Mary Lay Schuster and Amy Propen

Submissions from 2009

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The BUSTin' and Bitchin' Ethe of Third-Wave Zines, Brenda M. Helmbrecht and Meredith A. Love

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Psychoanalysis of a Sequel: The Disinterment of Pet Sematary Two, Douglas Keesey

Submissions from 2008

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Review of Removing Barriers: Women in Academic Science, Technology Engineering and Mathematics (Bystydzienski and Bird, eds.), and Women, Gender, and Technology (Fox, Johnson and Rosser, eds.), and Science and Social Inequality: Feminist and Postcolonial Issues (Harding, ed), Mary A. Armstrong

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Stable Identity: Horses, Inversion Theory, and The Well of Loneliness, Mary A. Armstrong

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Making Academic Work Advocacy Work: Technologies of Power in the Public Arena, Amy Propen and Mary Lay Schuster

Submissions from 2007

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The making of ‘American’: race and nation in neurasthenic discourse, Brad Campbell

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Giving Grades, Taking Tolls: Assessing the Impact of Evaluation on Developing Writers, Brenda Helmbrecht

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Graduate Students Hearing Voices: (Mis)Recognition and (Re)Definition of the jWPA Identity, Brenda M. Helmbrecht and Connie Kendall

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Teaching the Conflicts: (Re)Engaging Students with Feminism in a Postfeminist World, Meredith A. Love and Brenda M. Helmbrecht

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Visual Communication and the Map: How Maps as Visual Objects Convey Meaning in Specific Contexts, Amy Propen

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Rewriting the Passing Novel: Danzy Senna's Caucasia, Kathryn Rummell

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"Try what repentance can": Hamlet, Confession, and the Extraction of Interiority, Paul Dustin Stegner

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Of þam him aweaxeð wynsum gefea”: The Voyeuristic Appeal of Christ III, Paul Dustin Stegner and Timothy D. Arner

Submissions from 2006

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Review of Break, Blow, Burn, Kevin Clark

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From Caricature to Character: The Intellectually Disabled in Dickens's Novels (Part 1), Paul Marchbanks

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From Caricature to Character: The Intellectually Disabled in Dickens's Novels (Part 2), Paul Marchbanks

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From Caricature to Character: The Intellectually Disabled in Dickens's Novels (Part 3), Paul Marchbanks

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Jane Air: The Heroine as Caged Bird in Charlotte Brontë’s Jane Eyre and Alfred Hitchcock’s Rebecca, Paul Marchbanks

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Critical GPS: Toward a New Politics of Location, Amy D. Propen

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A Reconciled Maid: A Lover's Complaint and Confessional Practices in Early Modern England, Paul Dustin Stegner

Submissions from 2005

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6 Miles Up, Kevin Clark

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Poetic Modernism and the Oceanic Divide: Review on New British Poetry, Kevin Clark

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Regs, Kevin Clark

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Review of Mary E. Hocks and Michelle R. Kendrick, Eloquent Images: Word and Image in the Age of New Media, Laura J. Gurak and Amy Propen

Submissions from 2004

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Cast-Mistresses: The Widow Figure in Oroonoko, Kristina Bross and Kathryn Rummell

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The Grapes, Kevin Clark

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The New Naturalism and the New Nature Poet: Ralph Black’s Lyric of Doubt, Kevin Clark

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The Vigil of Astonishment, Kevin Clark

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A Mediatic Pedagogy: Rhetoricizing Images Within Composition Curriculum, Brenda M. Helmbrecht

Submissions from 2003

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Review of Wired to the World, Chained to the Home: Telework in Daily Life by Penny Gurstein, Mary A. Armstrong

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Review of Susan Wells, Out of the Dead House: Nineteenth-Century Women Physicians and the Writing of Medicine, Amy Propen and Mary M. Lay

Submissions from 2002

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"Your Legs Must Be Singing Grand Opera": Masculinity, Masochism, and Stephen King's Misery, Douglas Keesey

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Cal Poly Land: A Field Guide, Steven Marx

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Toni Morrison's Beloved: Transforming the African Heroic Epic, Kathryn Rummell

Submissions from 2001

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Highball, Princeton Station, Kevin Clark

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Platter, Kevin Clark

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They Kill for Love: Defining the Erotic Thriller as a Film Genre, Douglas Keesey

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Greenaway's Books, Steven Marx

Submissions from 2000

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Our Children Playing Catch in the Evening of No Warning, Kevin Clark

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Appraising The Whole Motion: Dickey's Place in Literary History, Douglas Keesey

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Book Review: Joanne M. Braxton. Maya Angelou's I Know Why the Caged Bird Sings. New York: Oxford University Press, 1999. 162p., Kathryn Rummell

Submissions from 1998

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The Assignment, Kevin Clark

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Weir(d) Australia: Picnic at Hanging Rock and The Last Wave, Douglas Keesey

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Defoe and the Black Legend: The Spanish Stereotype in A New Voyage Round the World, Kathryn Rummell

Submissions from 1997

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The Gift, Kevin Clark

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The Steeple, Kevin Clark

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Moses and Machiavellism, Steven Marx

Submissions from 1996

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Margaret's Face, Kevin Clark

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Progeny: Propero's Books, Genesis and The Tempest, Steven Marx

Submissions from 1995

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Stature, Kevin Clark

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The End, Kevin Clark

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Twelve, Kevin Clark

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Mason & Dixon on the Line: A Reception Study, Douglas Keesey

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Holy War in Henry Fifth, Steven Marx

Submissions from 1994

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The Price, Kevin Clark

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"The Wife's Went Bazook" Comedic Feminism in the Poetry of Ruth Stone, Kevin Clark

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Northrop Frye's Bible, Steven Marx

Submissions from 1993

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James Dickey's To the White Sea: A Critical Controversy, Douglas Keesey

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The Ideology of Detection in Pynchon and DeLillo, Douglas Keesey

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A Problem in Rhetoric: Teaching Writing with Western Culture, Steven Marx

Submissions from 1992

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Review: Learning to Read the Mother Tongue: On Sandra Gilbert's "Blood Pressure", Kevin Clark

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Shakespeare's Pacifism, Steven Marx

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The Prophet Disarmed: Milton and the Quakers, Steven Marx

Submissions from 1990

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John Ashbery's "A Wave": Privileging the Symbol, Kevin Clark

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Vineland in the Mainstream Press: A Reception Study, Pynchon Notes, Douglas Keesey

Submissions from 1989

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The Politics of Doubling in "Mortality and Mercy in Vienna", Douglas Keesey

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Beyond Hibernation: Ralph Ellison's 1982 Version of Invisible Man, Steven Marx

Submissions from 1988

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"A Flaw Not Only In Him": Rereading Thomas Pynchon, Douglas Keesey

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Facing Up to the Reading Dilemma: A Review and Critical Overview of Pynchon Studies, Douglas Keesey

Submissions from 1986

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Nature and the Supernatural: Pynchon's Ecological Ghost Stories, Douglas Keesey

Submissions from 1985

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So Much Life with (So to Speak) So Little Living: The Literary Side of the James-Wells Debate, Douglas Keesey

Submissions from 1984

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Granting the Wolf, Kevin Clark

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Small Fires, Kevin Clark

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The Ex-Priest, Kevin Clark

Submissions from 1982

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Stock and Root, Kevin Clark

Submissions from 1981

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Autumn, 1830. Her Letter to Dead, Kevin Clark

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Clarence King Names Mt. Tyndall, Kevin Clark

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In Your Backyard, Kevin Clark

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Separation, Kevin Clark

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The Walnut Tree, Kevin Clark

Submissions from 1980

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Death Comes for The Old Cowboy, Kevin Clark